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Japa Yoga: A comprehensive treatise on Mantra -Sastra
by Swami Sivananda
Paperback (Edition: 2014)
The Divine Life Society
Item Code: IDG057
$13.50
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Mantras for Beginners
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by Ravindra Kumar
Paperback (Edition: 2010)
Sterling Publishers Pvt. Ltd.
Item Code: NAC607
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Brihad Indrajaal (Mantra Tantra & Yantra)
Item Code: NAI117
$25.00
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A Glossary of Tantra, Mantra and Yantra (In Roman)
Paperback (Edition: 2000)
Sri Satguru Publications
Item Code: IHL623
$15.00
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The Mantra Mahodadhi of Mahidhara
by A Board of Scholars
Hardcover (Edition: 2014)
Sri Satguru Publications
Item Code: IDI150
$45.00
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Mystical Formulae (Part 1-Mantras)
by K. T. Shubhakaran
Paperback (Edition: 2017)
Sagar Publications
Item Code: IDJ958
$25.00
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Chakra Mantras (Liberate Your Spiritual Genius Through Chanting)
by Thomas Ashley Farrand
Paperback (Edition: 2018)
Jaico Publishing House
Item Code: IDL132
$25.00
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Books on Mantra and Tantra
‘Mantra’ – sacred syllable, spell, or incantation, is divine power clothed in sound. As clothes are inner, upper, and the uppermost, Tantra identifies three kinds of sounds: ‘Sphota’ – the transcendental, inaudible, defined as ‘unstruck sound’; ‘Nada’ – the supersonic sound; and, ‘Dhwani’ – the audible sound. A ‘Mantra’ wears all three kinds of sounds, that is, recited loud, or commemorated unspoken within, the ‘Mantra’ charges with divine energy all sounds and thereby ‘Vayu’– air, the vehicle of sound. As ‘Vayu’ is life within and beyond, which the ‘Mantra’ charges with divine energy, the ‘sadhaka’, by using ‘Mantra’ as his divine instrument, emerges as better-prepared for the final attainment, that is, kindling of ‘Kundalini Shakti’.

The term ‘Mantra’ is made of two syllables: ‘Man’ and ‘Tra’, the former meaning ‘mind’ or ‘speech’, and the latter ‘to guide’ or ‘to protect’, that is, ‘Mantra’ guides and protects the mind and speech. The ‘Mantra’ is an articulated word. A ‘Mantra’ may have more words, but not occurring in grammatical sequence forming a sentence.

Without being communicable in terms of meaning, this ‘word’ connects the ‘sadhaka’ with the Brahmanda’, deity, or the object meditated on. Usually ‘Mantras’ are divine names preceded by ‘Bijaksharas’, the letters which are indeclinable seed-sounds. ‘AUM’, the monosyllabic ‘Bijamantra’, which by its three sounds A U M symbolises God’s three aspects – creation, preservation and destruction, is the source of all ‘Mantras’.

Similarly, all ‘Mantras’ end with, or have intermittent ‘Anushvaras’, a phonetic sound transcribed as a ‘dot’ – ‘bindu’, which is in Tantra the symbol of Shiva-Shakti, creative process, seed, and the creation. Thus, every ‘Mantra’ constantly draws its power from the Timeless Shiva and Shakti.

Other monosyllabic ‘bija-mantras’ are ‘hrim’, ‘shrim’, ‘krim’, and ‘klim’. ‘Hrim’ is the ‘bijamantra’ of Bhuvaneshvari representing female energy; ‘krim’, of Kali representing the power to create and destroy; ‘shrim’, of Lakshmi, representing abundance and multiplicity; and, ‘klim’, of procreative desire of Shiva as Kama representing joy and bliss. ‘Mantras’ are sometimes classified as male, female and neuter, the male ending with ‘hum’ or ‘phat’, female, with ‘svaha’, and neuter, with ‘namah’.

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