GRAZIA MARCHIANO, 1947-1997: The enlarging of the aesthetic ecumene, Introductory remarks | 13 |
PART I On aesthetic theory in Asia | 25 |
ELIAS CAPRILES steps to a comparative evolutionary aesthetics (China, India, Tibet and Europe) | 27 |
TOMONOBU IMAMICHI, The night as category One angle of comparative study in aesthetics | 53 |
ANANTA C. SUKLA, Dhvani as a pivot in sanskrit literary aesthetics | 65 |
NORIKO HASHIMOTO, The semantic transformation of an axiological concept | 87 |
GRIZIA MARCHIANO, The flowers of the Noh and the aesthetics of iki | 99 |
PART II. Interdisciplinary approaches | 107 |
ANDREI OISTEANU, The beauty binding the beast: a less known motif of the eastern and western european mythology and art | 109 |
MICHAEL H. MITIAS, How does a building mean? | 131 |
SONJA SERVOMMA, Mountains of the mind | 155 |
HUBERT DETHIER, Georg Wilhelm Friedrich Hegel and the East | 169 |
CONTRIBUTORS | 197 |
GRAZIA MARCHIANO, 1947-1997: The enlarging of the aesthetic ecumene, Introductory remarks | 13 |
PART I On aesthetic theory in Asia | 25 |
ELIAS CAPRILES steps to a comparative evolutionary aesthetics (China, India, Tibet and Europe) | 27 |
TOMONOBU IMAMICHI, The night as category One angle of comparative study in aesthetics | 53 |
ANANTA C. SUKLA, Dhvani as a pivot in sanskrit literary aesthetics | 65 |
NORIKO HASHIMOTO, The semantic transformation of an axiological concept | 87 |
GRIZIA MARCHIANO, The flowers of the Noh and the aesthetics of iki | 99 |
PART II. Interdisciplinary approaches | 107 |
ANDREI OISTEANU, The beauty binding the beast: a less known motif of the eastern and western european mythology and art | 109 |
MICHAEL H. MITIAS, How does a building mean? | 131 |
SONJA SERVOMMA, Mountains of the mind | 155 |
HUBERT DETHIER, Georg Wilhelm Friedrich Hegel and the East | 169 |
CONTRIBUTORS | 197 |