About the Book
Rajasthan has been romanticized through the centuries
as the land of kings and warriors, forts and palaces, daredevil Rajputs sporting brilliantly coloured turbans, the place
where more fairs and festivals are celebrated than there are days in the year.
But it is also a harsh, hostile and merciless land
where the hot winds blow, where creeping sands, shifting sand dunes,
devastating droughts have repeatedly altered the destiny of its people.
How does one travel through such a collage of
contradictory images? Journeys through Rajasthan shows you Rajasthan through
the eyes and imaginative universe of some of India's most talented writers and
feted travelers including poets, journalists,
novelists, explorers, historians, a wildlife enthusiast, a photographer, a
foodie, a naturalist, a bird lover and a princess. Their stories, each located
in a different part of Rajasthan, are informative, sensitive, humorous, even
dark, and at times deeply moving.
Journeys through
Rajasthan is an
invaluable companion for both the wandering traveler
and the armchair one interested in the imaginings, memories, dreams and
discoveries that emerged from the skilled pens of those who chose to look
beyond familiar picture- postcard images of a fabled land.
About the
Author
Amrita Kumar hails from Todgarh in the remote highlands of Rajasthan, a village
named after James Tod, her forefathers playing host
in the early 19th century to the historian as he penned his Annals and Antiquities of Rajasthan. Her
wanderings through Rajasthan were the inspiration behind her novel Damage, published by Harper Collins
in 2009. She has also co-edited Lest we Forget, a
book of essays on the Gujarat riots, published by the television company World
Report in 2002. She has been vice-president and senior editor Osians Literary Agency, managing editor
,Encyclopaedia Britannica, associate editor Penguin India, and
editor-in-chief Roli Books. She has also been a
copywriter with an advertising agency, research-writer for the Department of
Culture, editor of a design magazine, and an editor with The Times of India.
Foreword
Rajasthan, Rajputana, land
of kings, bards, minstrels and enchanting folklore, a kaleidoscope of colour -
my birthplace, my home and the seat of my ancestors. A land like no other,
which conjures up all that the mind of an avid traveler
can dream of and even more. The land whose history
stretches back to the Indus Valley Civilization (archaeological sites at Kalibangan in Northern Rajasthan) and the lost river
Saraswati, Mt. Abu, the seat of sages in the ancient Aravalli
ranges, and Brahma's sacred lake of Pushkar. Even
while straddling its magnificent past, Rajasthan embraces the present with
effortless grace - momentous developments like India's first nuclear test at Pokhran, economic reforms, modernization of agriculture,
and the IT revolution.
There is a couplet in Rajasthani
- KOS KOS PAE PANI BADALE CHAR KOS PAE BANI, meaning
every mile the taste and depth of water changes and every four miles the
dialects, signifying the diversity of Rajasthan. From the vast sandy stretches
of the Thar desert to the tiger reserves and bird
sanctuaries, from the eternal haunting beauty of its temples, forts and palaces
to the earthen charm of its villages, Rajasthan encapsulates the magic of this
rich cultural diversity and extraordinary spirit of its people, reflected in
all aspects of their life and in the unhurried pace of organic growth and
development. Above all, it was the special relationship between the erstwhile
rulers of Rajasthan and the thirty-six communities of priests, merchants, agriculturalists,
craftsmen and tribals that shaped this unique
evolution of the modern state of Rajasthan,The idea
of this anthology is brilliant and timely. Amidst the profusion of coffee table
books on Rajasthan, it fills an important vacuum by bringing together eminent
writers from diverse backgrounds and varied views to share their personal
experiences. Their stories are authentic, real, spontaneous, and a part of the
story of Rajasthan - including the traditional and the modern, urban and rural,
wealthy and impoverished - has evolved naturally out of their narrative. The
addition of ancient accounts makes the reading more comprehensive and
pleasurable. Indeed, it would be impossible to encompass Rajasthan within any
Single anthology but this volume is to be seen as an intimate set of
revelations that a reader can easily relate to and would, I hope, inspire him
to experience this unique land for himself.
Introduction
Rajasthan is quite clearly a land of extremes where the
jewels roll as much as the sands blow. Through its short, freezing winters and
long blazing summers, it may have remained isolated and almost been forgotten.
But its rather strategic location on the trade routes as also its proximity to
the long-standing capital cities of Delhi under several different names (the
13th being New Delhi) ensured that Rajasthan was both frequently traversed and
aggressed through history, just as it was kept under close watch from the
imperial capitals. Could this balance of opposites then have been the reason to
make Rajasthan among the most populated of the desert regions of the world that
girdle the globe?
The official end of feudalism may well have been
sounded in 1950 when nineteen gun-salute states, two chieftainships (Kushalgarh and Lava) and one suba or province (Ajmer) merged
to form this state. Names like Rajwara, Rajwara and Rajsthan were
considered before it eventually came to be called Rajasthan! But the
hierarchical aftertaste of feudalism continued for decades and can still be
savoured in the language of 'hukum' and 'hazoor' or in the gestures of 'khamagani' uttered bent at the waist with open hands
gathered from the outside in a more formal namaskar.
Rajasthan is also a historical example of why it is
better to be ruled by one's own people, even when great differences of
lifestyle may define this relationship, than by aliens. The Rajasthani
people still offer a reverential devotion to their new political rulers and
administrators unlike in the states where the British had governed. The latter
may have been better governed, but naturally grew to be hotbeds of sedition and
contention, with its people becoming more aggressive and agitation. This
natural sense of courtesy in Rajasthan now serves the tourist industry -
especially in the old world context of its heritage hotels.
Mythology
Rajasthan, this ancient land of Aryavrata,
is linked to the macro vision of the cosmic creator, Brahma - for the Hindus
consider his home to be in Pushkar. The oldest
spiritual text, The Rigveda enumerates:
In the valleys of hills
on the confluence of rivers,
The wisdom of the Brahman
[the 'absolute'] was born.
The sacred lake at Pushkar
is considered by Hindus to be among the holiest waters along with the much less
accessible Manasarovar situated at 4,560 metres en
route to Mount Kailash in Tibet, where Shiva supposedly resides. But what are
the criteria which have earned Pushkar the epithets
of tirthaguru (guru of pilgrim sites) and tirtharaj (king of pilgrim places)?
According to the Puranas, the eighteen compilations
of Brahmanical mythological lore, there are four
categories of pilgrimages for Hindus. In a hierarchy of descending order, these
are: daiva-asura-tirthas, created by the gods, mainly by the
male deities of the trinity - Brahma, Vishnu and Shiva: asura-tirthas, associated with the
destruction of demons by the trinity, arsha-tirthas,
related with
the austerities, penances and sacrifices of renowned seers and sages; and manusha-tirthas,
holy places
created by men - preferably the rulers of the solar and lunar dynasties.
Rated on these criteria, Pushkar
stands unique and highest among pilgrimages because it qualifies on all four
grounds. First, it was chosen by Brahma while both Vishnu and Shiva attended
the sacrificial fire rite that he held for its creation. Second, the demon Vajranabha, who performed penance in the Meru valley to propitiate Brahma, was destroyed here by Pradyurnna, the son of Krishna. Shiva also took the form of
a goat to kill the demon Vashkali here. Third, the
sages Agastya, Bhartrihari,
Kanva/ Kashyapa, jamadagni, Vamadeva, Vishvamitra, Kapila, Markandeya, Pulastya and even Yama, the lord of death, are believed to have done penance
in caves here. Fourth, the Pratiharas of Mandor, the Kachhwahas of Amber/Jaipur,
the Hadas of Kotah and Bundi, the Rathors of Marwar/Jodhpur, the Sisodias of Mewar/Udaipur and the Marathas of Gwalior have all had a
hand in building and repairing temples and ghats at Pushkar.
As a pristine oasis in the Thar
desert, Pushkar must always
have appealed to the weary traveller or warrior, and once the legendary Sarasvati river flowed here. The sanctity and necessity of
flowing water can hardly be overemphasized because the Ganga basin figures most
prominently in all the tirtha lists of the epics and holy scriptures:
Pushkaradhipati tirthani gangadhayasariasthata
(Pushkar occupies the
highest place among the pilgrim sites as does the sacred Ganga among rivers)
However, one lull in the popularity of Pushkar is recorded in history. After the destruction and
conquest of Ajmer at the end of the 12th century by Muhammad of Ghori, people lived in
fear and insecurity. Conspicuous patronage, building activity and worship at Pushkar was revived and thrived only in the 18th century.
After 1947 - and particularly after the privy purses were abolished - royal
patronage has waned, and now the priests rely more on the largesse of common
pilgrims.
Geology
A rocky diagonal dramatically slashes the sandy
canvas of Rajas than like a dry brushstroke. From Delhi in the north-east this
diagonal descends south-west to the Gulf of Cambay. These are the Aravallis which came to exist as an enormously thick series
of argillaceous rocks at the close of the Archean
era. Geological terms which may sound reptilian to lay readers, do describe
well the crocodile crests of the great synlinorium
which occupy the central part.
When the sediments deposited by the pre-historic
seas underwent upheavals, the sedimentary rocks stood up, slanted or vertical, in
composite banded gneisses, slates, conglomerates and basal quartzites
which were peneplaned and denuded in later ages. To
the west and south-west of Rajasthan, these are often engulfed in sandy
alluvium making the picture postcard cliches of dunes
in desert sand.
Geologists believe that some fourteen million years
ago Rajasthan itself emerged from the cosmic flood or the Tethys Sea, named
after the Greek sea deity, wife of Oceanus. Seventeen
kilometres east of Jaisalmer, one hundred and eighty
million year-old petrified trees can still be seen, just as fossils continue to
appear in Osian.
But it is the geological wealth of Rajasthan which
makes it the Italy of India. Kota, Jaisalmer, Aandhi, Makrana - are all names
of places as well as the brand names of stones that are mined there.
History
In India, age also means wisdom, but because of the
fact of its location, history has also meant much bloodshed in Rajasthan. Being
one of the most prosperous regions in the world till the 18th century, India
became the cynosure of the Islamic kingdoms. Despite not being those naturally
rich regions, Rajasthan along with Sindh (now in
Pakistan), Thana (in Maharashtra), Broach (Gujarat) and the Punjab suffered the
constant blunt of this external aggression.
Digvijay Singh writes: 'because in
areas where their orders were accepted [Hyderabad, Rampur, Lucknow,
Delhi etc] the Muslim rulers tried to convert as many Hindus as they could by
sword, Jiziya or religious persecution (by breaking
Hindu temples and psychologically pushing the Hindus into believing that theirs
was a weak god): Contrary to what the Udaipur historians have long said, Digvijay Singh goes on to assert emphatically: 'Presence of
Rajput generals in the Mughal army was a blessing in
disguise for the Hindu population as the Mughal army when headed by a Rajput general could not engage in wanton destruction of
Hindu temples as well as mass conversion of Hindus to Islam. The perseverance
of Hinduism in India by the Rajput sword against the
entire might of the Islamic rulers is the most glorious achievement by a race
in the annals of world history and everyone should know this fact:
This sentiment is also echoed by James Tod in Annals and Antiquities of Rajasthan: 'What nation on earth could
have maintained the semblance of civilization, the spirit or the customs of
their forefathers, during so many centuries of overwhelming depression, but one
of such singular character as the Rajpoot? ...
Rajasthan exhibits the sole example in the history of mankind, of a people
withstanding every outrage barbarity could inflict, or human nature sustain,
from a foe (Muslims) whose religion commands annihilation, and bent to the
earth, yet rising buoyant from the pressure, and making calamity a whetstone to
courage .... Not an iota of their religion or customs
have they lost ... :
But history runs its own course. The Rajputs, Marathas and Sikhs had narrowed in on all sides
when the Mughal Empire ran into decadence and decline. But who could have
prophesied that from nowhere in the neighbourhood or even within India, but
from the distant lands of Europe would come the
maritime powers: the Portuguese, the Dutch, the British, French and the Danes,
and that India would be colonized? William Wilson Hunter writes in The
Indian Empire, Its People, History and Products: 'So far as can now be estimated, the advance
of the English power at the beginning of the present century alone saved the
Mughal Empire from passing to the Hindus:
Many Rajputs feel once-removed
from the demographic political rule today. Living in the past, they are
nostalgic about the obeisance history once gave them - or more truly, one that
they forced from their times when they held the reins. Though history knows
only a forward march, books of history must do this retro-recording service so
that the future knows the strengths of the foundations it stands on. It is to
these Rajput heroes to whom this debt of cultural
continuity in social and religious practice - or indeed the gift of life itself
- is owed.
Contents
Foreword |
ix |
|
Introduction |
xi |
|
1 |
Going home - Amrita
Kumar in Ajmer, Nasirabad and Todgarh
|
1 |
2 |
The singer of epics -
William Dalrymple in Pabusar
|
24 |
3 |
Dying to live - Pradip Krishen in Jodhpur |
42 |
4 |
Two discoveries - Aman Nath in Shekhavati and Neemrana |
53 |
5 |
Bury my heart at Rambagh - Gayatri Devi in Jaipur |
73 |
6 |
Through a glass,
darkly - Sanjay Singh Badnor on Rajasthans
royal legacy |
90 |
7 |
Where on earth am I? -
Jug Suraiya in Pushkar |
|
Udaipur, and on the
Palace on Wheels |
98 |
|
8 |
When I saw Laxmi - Bittu Sahgal in Ranthambhore |
114 |
9 |
Fate in the balance - Prem Shankar Jha in Bharatpur |
120 |
10 |
The nowhere people - Royina Grewal on the open road |
129 |
11 |
There's a sparrow in
my puri! - Nilanjana S. Roy in Surajgarh |
152 |
12 |
Love in 'Switcherland' - Annie Zaidi in
Mount Abu |
159 |
l3 |
In search of Kika Rana - Rajesh Mishra in
Udaipur, Haldighati and Kumbhalgarh |
169 |
14 |
Mappings - James Tod in the Aravallis |
183 |
15 |
The song of famine -
Pierre Loti in Jaipur and Amber |
204 |
16 |
The pleasures of loaferdom - Rudyard Kipling in Chittor |
225 |
Contributors |
241 |
|
Acknowledgements |
251 |
About the Book
Rajasthan has been romanticized through the centuries
as the land of kings and warriors, forts and palaces, daredevil Rajputs sporting brilliantly coloured turbans, the place
where more fairs and festivals are celebrated than there are days in the year.
But it is also a harsh, hostile and merciless land
where the hot winds blow, where creeping sands, shifting sand dunes,
devastating droughts have repeatedly altered the destiny of its people.
How does one travel through such a collage of
contradictory images? Journeys through Rajasthan shows you Rajasthan through
the eyes and imaginative universe of some of India's most talented writers and
feted travelers including poets, journalists,
novelists, explorers, historians, a wildlife enthusiast, a photographer, a
foodie, a naturalist, a bird lover and a princess. Their stories, each located
in a different part of Rajasthan, are informative, sensitive, humorous, even
dark, and at times deeply moving.
Journeys through
Rajasthan is an
invaluable companion for both the wandering traveler
and the armchair one interested in the imaginings, memories, dreams and
discoveries that emerged from the skilled pens of those who chose to look
beyond familiar picture- postcard images of a fabled land.
About the
Author
Amrita Kumar hails from Todgarh in the remote highlands of Rajasthan, a village
named after James Tod, her forefathers playing host
in the early 19th century to the historian as he penned his Annals and Antiquities of Rajasthan. Her
wanderings through Rajasthan were the inspiration behind her novel Damage, published by Harper Collins
in 2009. She has also co-edited Lest we Forget, a
book of essays on the Gujarat riots, published by the television company World
Report in 2002. She has been vice-president and senior editor Osians Literary Agency, managing editor
,Encyclopaedia Britannica, associate editor Penguin India, and
editor-in-chief Roli Books. She has also been a
copywriter with an advertising agency, research-writer for the Department of
Culture, editor of a design magazine, and an editor with The Times of India.
Foreword
Rajasthan, Rajputana, land
of kings, bards, minstrels and enchanting folklore, a kaleidoscope of colour -
my birthplace, my home and the seat of my ancestors. A land like no other,
which conjures up all that the mind of an avid traveler
can dream of and even more. The land whose history
stretches back to the Indus Valley Civilization (archaeological sites at Kalibangan in Northern Rajasthan) and the lost river
Saraswati, Mt. Abu, the seat of sages in the ancient Aravalli
ranges, and Brahma's sacred lake of Pushkar. Even
while straddling its magnificent past, Rajasthan embraces the present with
effortless grace - momentous developments like India's first nuclear test at Pokhran, economic reforms, modernization of agriculture,
and the IT revolution.
There is a couplet in Rajasthani
- KOS KOS PAE PANI BADALE CHAR KOS PAE BANI, meaning
every mile the taste and depth of water changes and every four miles the
dialects, signifying the diversity of Rajasthan. From the vast sandy stretches
of the Thar desert to the tiger reserves and bird
sanctuaries, from the eternal haunting beauty of its temples, forts and palaces
to the earthen charm of its villages, Rajasthan encapsulates the magic of this
rich cultural diversity and extraordinary spirit of its people, reflected in
all aspects of their life and in the unhurried pace of organic growth and
development. Above all, it was the special relationship between the erstwhile
rulers of Rajasthan and the thirty-six communities of priests, merchants, agriculturalists,
craftsmen and tribals that shaped this unique
evolution of the modern state of Rajasthan,The idea
of this anthology is brilliant and timely. Amidst the profusion of coffee table
books on Rajasthan, it fills an important vacuum by bringing together eminent
writers from diverse backgrounds and varied views to share their personal
experiences. Their stories are authentic, real, spontaneous, and a part of the
story of Rajasthan - including the traditional and the modern, urban and rural,
wealthy and impoverished - has evolved naturally out of their narrative. The
addition of ancient accounts makes the reading more comprehensive and
pleasurable. Indeed, it would be impossible to encompass Rajasthan within any
Single anthology but this volume is to be seen as an intimate set of
revelations that a reader can easily relate to and would, I hope, inspire him
to experience this unique land for himself.
Introduction
Rajasthan is quite clearly a land of extremes where the
jewels roll as much as the sands blow. Through its short, freezing winters and
long blazing summers, it may have remained isolated and almost been forgotten.
But its rather strategic location on the trade routes as also its proximity to
the long-standing capital cities of Delhi under several different names (the
13th being New Delhi) ensured that Rajasthan was both frequently traversed and
aggressed through history, just as it was kept under close watch from the
imperial capitals. Could this balance of opposites then have been the reason to
make Rajasthan among the most populated of the desert regions of the world that
girdle the globe?
The official end of feudalism may well have been
sounded in 1950 when nineteen gun-salute states, two chieftainships (Kushalgarh and Lava) and one suba or province (Ajmer) merged
to form this state. Names like Rajwara, Rajwara and Rajsthan were
considered before it eventually came to be called Rajasthan! But the
hierarchical aftertaste of feudalism continued for decades and can still be
savoured in the language of 'hukum' and 'hazoor' or in the gestures of 'khamagani' uttered bent at the waist with open hands
gathered from the outside in a more formal namaskar.
Rajasthan is also a historical example of why it is
better to be ruled by one's own people, even when great differences of
lifestyle may define this relationship, than by aliens. The Rajasthani
people still offer a reverential devotion to their new political rulers and
administrators unlike in the states where the British had governed. The latter
may have been better governed, but naturally grew to be hotbeds of sedition and
contention, with its people becoming more aggressive and agitation. This
natural sense of courtesy in Rajasthan now serves the tourist industry -
especially in the old world context of its heritage hotels.
Mythology
Rajasthan, this ancient land of Aryavrata,
is linked to the macro vision of the cosmic creator, Brahma - for the Hindus
consider his home to be in Pushkar. The oldest
spiritual text, The Rigveda enumerates:
In the valleys of hills
on the confluence of rivers,
The wisdom of the Brahman
[the 'absolute'] was born.
The sacred lake at Pushkar
is considered by Hindus to be among the holiest waters along with the much less
accessible Manasarovar situated at 4,560 metres en
route to Mount Kailash in Tibet, where Shiva supposedly resides. But what are
the criteria which have earned Pushkar the epithets
of tirthaguru (guru of pilgrim sites) and tirtharaj (king of pilgrim places)?
According to the Puranas, the eighteen compilations
of Brahmanical mythological lore, there are four
categories of pilgrimages for Hindus. In a hierarchy of descending order, these
are: daiva-asura-tirthas, created by the gods, mainly by the
male deities of the trinity - Brahma, Vishnu and Shiva: asura-tirthas, associated with the
destruction of demons by the trinity, arsha-tirthas,
related with
the austerities, penances and sacrifices of renowned seers and sages; and manusha-tirthas,
holy places
created by men - preferably the rulers of the solar and lunar dynasties.
Rated on these criteria, Pushkar
stands unique and highest among pilgrimages because it qualifies on all four
grounds. First, it was chosen by Brahma while both Vishnu and Shiva attended
the sacrificial fire rite that he held for its creation. Second, the demon Vajranabha, who performed penance in the Meru valley to propitiate Brahma, was destroyed here by Pradyurnna, the son of Krishna. Shiva also took the form of
a goat to kill the demon Vashkali here. Third, the
sages Agastya, Bhartrihari,
Kanva/ Kashyapa, jamadagni, Vamadeva, Vishvamitra, Kapila, Markandeya, Pulastya and even Yama, the lord of death, are believed to have done penance
in caves here. Fourth, the Pratiharas of Mandor, the Kachhwahas of Amber/Jaipur,
the Hadas of Kotah and Bundi, the Rathors of Marwar/Jodhpur, the Sisodias of Mewar/Udaipur and the Marathas of Gwalior have all had a
hand in building and repairing temples and ghats at Pushkar.
As a pristine oasis in the Thar
desert, Pushkar must always
have appealed to the weary traveller or warrior, and once the legendary Sarasvati river flowed here. The sanctity and necessity of
flowing water can hardly be overemphasized because the Ganga basin figures most
prominently in all the tirtha lists of the epics and holy scriptures:
Pushkaradhipati tirthani gangadhayasariasthata
(Pushkar occupies the
highest place among the pilgrim sites as does the sacred Ganga among rivers)
However, one lull in the popularity of Pushkar is recorded in history. After the destruction and
conquest of Ajmer at the end of the 12th century by Muhammad of Ghori, people lived in
fear and insecurity. Conspicuous patronage, building activity and worship at Pushkar was revived and thrived only in the 18th century.
After 1947 - and particularly after the privy purses were abolished - royal
patronage has waned, and now the priests rely more on the largesse of common
pilgrims.
Geology
A rocky diagonal dramatically slashes the sandy
canvas of Rajas than like a dry brushstroke. From Delhi in the north-east this
diagonal descends south-west to the Gulf of Cambay. These are the Aravallis which came to exist as an enormously thick series
of argillaceous rocks at the close of the Archean
era. Geological terms which may sound reptilian to lay readers, do describe
well the crocodile crests of the great synlinorium
which occupy the central part.
When the sediments deposited by the pre-historic
seas underwent upheavals, the sedimentary rocks stood up, slanted or vertical, in
composite banded gneisses, slates, conglomerates and basal quartzites
which were peneplaned and denuded in later ages. To
the west and south-west of Rajasthan, these are often engulfed in sandy
alluvium making the picture postcard cliches of dunes
in desert sand.
Geologists believe that some fourteen million years
ago Rajasthan itself emerged from the cosmic flood or the Tethys Sea, named
after the Greek sea deity, wife of Oceanus. Seventeen
kilometres east of Jaisalmer, one hundred and eighty
million year-old petrified trees can still be seen, just as fossils continue to
appear in Osian.
But it is the geological wealth of Rajasthan which
makes it the Italy of India. Kota, Jaisalmer, Aandhi, Makrana - are all names
of places as well as the brand names of stones that are mined there.
History
In India, age also means wisdom, but because of the
fact of its location, history has also meant much bloodshed in Rajasthan. Being
one of the most prosperous regions in the world till the 18th century, India
became the cynosure of the Islamic kingdoms. Despite not being those naturally
rich regions, Rajasthan along with Sindh (now in
Pakistan), Thana (in Maharashtra), Broach (Gujarat) and the Punjab suffered the
constant blunt of this external aggression.
Digvijay Singh writes: 'because in
areas where their orders were accepted [Hyderabad, Rampur, Lucknow,
Delhi etc] the Muslim rulers tried to convert as many Hindus as they could by
sword, Jiziya or religious persecution (by breaking
Hindu temples and psychologically pushing the Hindus into believing that theirs
was a weak god): Contrary to what the Udaipur historians have long said, Digvijay Singh goes on to assert emphatically: 'Presence of
Rajput generals in the Mughal army was a blessing in
disguise for the Hindu population as the Mughal army when headed by a Rajput general could not engage in wanton destruction of
Hindu temples as well as mass conversion of Hindus to Islam. The perseverance
of Hinduism in India by the Rajput sword against the
entire might of the Islamic rulers is the most glorious achievement by a race
in the annals of world history and everyone should know this fact:
This sentiment is also echoed by James Tod in Annals and Antiquities of Rajasthan: 'What nation on earth could
have maintained the semblance of civilization, the spirit or the customs of
their forefathers, during so many centuries of overwhelming depression, but one
of such singular character as the Rajpoot? ...
Rajasthan exhibits the sole example in the history of mankind, of a people
withstanding every outrage barbarity could inflict, or human nature sustain,
from a foe (Muslims) whose religion commands annihilation, and bent to the
earth, yet rising buoyant from the pressure, and making calamity a whetstone to
courage .... Not an iota of their religion or customs
have they lost ... :
But history runs its own course. The Rajputs, Marathas and Sikhs had narrowed in on all sides
when the Mughal Empire ran into decadence and decline. But who could have
prophesied that from nowhere in the neighbourhood or even within India, but
from the distant lands of Europe would come the
maritime powers: the Portuguese, the Dutch, the British, French and the Danes,
and that India would be colonized? William Wilson Hunter writes in The
Indian Empire, Its People, History and Products: 'So far as can now be estimated, the advance
of the English power at the beginning of the present century alone saved the
Mughal Empire from passing to the Hindus:
Many Rajputs feel once-removed
from the demographic political rule today. Living in the past, they are
nostalgic about the obeisance history once gave them - or more truly, one that
they forced from their times when they held the reins. Though history knows
only a forward march, books of history must do this retro-recording service so
that the future knows the strengths of the foundations it stands on. It is to
these Rajput heroes to whom this debt of cultural
continuity in social and religious practice - or indeed the gift of life itself
- is owed.
Contents
Foreword |
ix |
|
Introduction |
xi |
|
1 |
Going home - Amrita
Kumar in Ajmer, Nasirabad and Todgarh
|
1 |
2 |
The singer of epics -
William Dalrymple in Pabusar
|
24 |
3 |
Dying to live - Pradip Krishen in Jodhpur |
42 |
4 |
Two discoveries - Aman Nath in Shekhavati and Neemrana |
53 |
5 |
Bury my heart at Rambagh - Gayatri Devi in Jaipur |
73 |
6 |
Through a glass,
darkly - Sanjay Singh Badnor on Rajasthans
royal legacy |
90 |
7 |
Where on earth am I? -
Jug Suraiya in Pushkar |
|
Udaipur, and on the
Palace on Wheels |
98 |
|
8 |
When I saw Laxmi - Bittu Sahgal in Ranthambhore |
114 |
9 |
Fate in the balance - Prem Shankar Jha in Bharatpur |
120 |
10 |
The nowhere people - Royina Grewal on the open road |
129 |
11 |
There's a sparrow in
my puri! - Nilanjana S. Roy in Surajgarh |
152 |
12 |
Love in 'Switcherland' - Annie Zaidi in
Mount Abu |
159 |
l3 |
In search of Kika Rana - Rajesh Mishra in
Udaipur, Haldighati and Kumbhalgarh |
169 |
14 |
Mappings - James Tod in the Aravallis |
183 |
15 |
The song of famine -
Pierre Loti in Jaipur and Amber |
204 |
16 |
The pleasures of loaferdom - Rudyard Kipling in Chittor |
225 |
Contributors |
241 |
|
Acknowledgements |
251 |